
Jérémy Pajeanc
Jérémy Pajeanc (Paris), visual artist, scenographer and teacher. Lives and works between Porto and Marinha Grande. Graduated in Visual Arts, with a specialization in painting, from the Faculty of Fine Arts of the University of Porto. Developed research on the relationship between Art and Science in glass/Art and History of Humanity, in partnership with INED (ESE-IPP) and CENCAL (Marinha Grande). He teaches Visual Arts and Art History at the Lycée Français Internacional de Porto, the Scenic Space discipline at the Lusófona University of Porto and between 2013 and 2016 he was a professor of the Visual Arts and Artistic Technologies course at ESE in Porto. He researched live migratory flows and the great exoduses that formed contemporary Western culture, a field to which he has directed his work. It currently focuses on the relationship between artistic systems and practices and agricultural production models that respect nature and biodiversity, through the intersection of them, respecting the complexity of ecosystems in all dimensions of life.
He has exhibited regularly since 2012, in solo and group exhibitions, highlighting the solo exhibitions Passos em volta (Galeria Nuno Centeno), iVRE, with the artist João Marçal (Ar Sólido), and the group exhibitions Pictures and cream, curated by Paulo Mendes (Galeria Cristina Guerra) and We only want the intangible, curated by Sandra Vieira Jürgens (Zaratan), having received several awards. He has participated in conversations and conferences in a national and international context and has been part of juries in competitions and artistic residency programs. Founding member of the Expedição project, developed at Maus Hábitos, from 2013 to 2015 in Porto, which involved more than 50 people from the areas of contemporary art, cinema, music and performance. In 2018, with the artist Maria Trabulo, he created the In Spite Of, a space for the presentation and reflection of national and international artistic activities, with the support of the Porto-Criatório Chamber. Still in 2018, he started No Entulho artistic residencies at ArtWorks.